An important exploration of the struggle for equality and education in this country. –School Library Journal (starred review)
In 1847, a young African American girl named Sarah Roberts started school in Boston. One day she was told she could never come back. She didn’t belong. The Otis was only for white children. Her parents filed the first case challenging our courts to outlaw segregated schools. And they made history.
•Junior Library Guild Selection
•A 2017 Orbis Pictus Honor Book
•Kids Best of the Best Book 2016: Chicago Public Library
•A 2016 NERDIE! A Nerdy Book Club Best Nonfiction Book of 2016
•A Finalist for the 2016 Cybils Awards
•An NCSS Notable Social Studies Trade Book of 2017
How can I pick just one snippet from Julie Danielson’s review, published in BookPage?
With Lewis’s stirring watercolors that astutely capture the emotion of history, this book is an eloquent, inspiring reminder that “the march toward justice is a long, twisting journey. -The New York Times
Ably paring down the story, Goodman explains that, though the court ruled against Roberts, the case sparked a public campaign that led to the 1855 desegregation of Boston schools. Lewis’s light-dappled acrylic and watercolor paintings balance clear portraits with faded background images, illuminating the story’s emotional and historical heft. -Publishers Weekly
Expanding the understanding of equal rights in the classroom is sadly timely, and this helps to fill in an early part of the picture. –Kirkus Reviews
Although the first impulse will be to put this story to curricular use in civil rights units, this could be of excellent service as an investigation of how a history book gets made. -Bulletin for the Center of Children’s Books
In Sarah’s day, all Boston kids started school once they were four years old. So if your birthday was in September, you would start school in September. And if your birthday was in February, you’d start then.